My passion is to help others in the community, young, old, and everyone in between, find relevance and joy in learning, performing or listening to classical music.

Saturday, February 16, 2013

Performing Schubert's "Wintereisse" in bluegrass country

Image taken by Floyd resident, Jim Best, who attended our
 performance and kindly shared this photo with me after the performance
I was both nervous and excited about this - a performance of Schubert's song cycle, Winterreise, in the little rural town of Floyd, Virginia, where bluegrass is the music and language of choice.  Go to the main street in town on Friday nights and you'll hear your fill of bands playing both in the Floyd Country Store and out on the streets.  Eat at a local eatery and you'll find bluegrass being played there too.  That's not to say the locals don't appreciate anything else.  They are an incredible bunch of people that seem to embrace new experiences and people.  They love music, they love people, they love their town and the beautiful land where they've chosen to live...it's as simple as that.  But still, "Winterreise?"  Does a song cycle that lasts over an hour, sung entirely in German and without an intermission stand a chance in a town like Floyd?  

The singer with whom I worked, Ed Cohn, is a local himself, a man that moved there not so long ago after studying and living a musical life in the San Francisco bay area. Since he had moved to this tiny town in southwestern Virginia, he had never shown his "classical" side to any of his friends.  He had instead woven himself into the fabric of the community as the owner of a bed and breakfast, as an avid organic gardener, and as a wonderful down-to-earth citizen who seems to have fit right in.  

Claiming his friends didn't know much about classical music and that he was pretty sure this would be a new experience for a lot of the local community that might attend, he made it clear to me that he wanted to present this performance in a way that would make it as comfortable as possible for those in attendance.  Being a big fan and advocate for talking to the audience I volunteered to say a few words before launching into the performance.  I had a feeling that whatever I chose to say could very much influence how the audience received this epic piece of music that can be a challenge for even the most seasoned classical music buff to sit through.  

The day of the performance occurred just a few days after a pretty big snowfall in our area.  As my husband and I took the 45 minute drive out to Floyd that day I found myself absorbed in the wintery scene in which we found ourselves.  Driving through some of the most beautiful countryside, past icy streams and snow covered fields, I was struck with a parallel between the landscape in Schubert's song cycle and the one that I was witnessing through the car window.  I had an indelible sense that this performance was going to be just fine - that the audience was going to walk away with something very special, not because of our performance, but because of the timeless, borderless message that "Winterreise" has to offer.  

We were greeted that afternoon, in a small, unsophisticated, but intimate performing space, with about 50 people in the audience.  We were both a little curious what was going to happen with two young girls that came in separately with their mothers.  One girl looked to be about 7 years old, the other was perhaps a little bit older, with Downs Syndrome.  When the time came, I spoke for about 10 minutes (you can read the gist of what I said here) and then our journey together began.  Just as my performance was several years ago, this too was an unbelievable experience and I was genuinely inspired by the sense I was getting not only by Ed but also by the hushed audience.  I was amazed at how attentive folks were from beginning to end and further surprised after taking our bows, by an older man that stood up and raised his hand to speak.  After everyone had turned their attention to him he said,
"If someone had told me 17 years ago that I'd be sitting here in this spot today listening to 'Winterreise' I would have said, 'That's great!' but I wouldn't have believed them."
What a comment!  And his wasn't the only one.  Just about everyone stayed afterwards and passed on comments that completely erased my doubts as to why we were there performing that particular work that afternoon.  There was the lady in her 80's who, with tears in her eyes and a heavy southern accent told me how difficult those poems were, especially at her time in life, but that she was so glad to have been challenged in that way.  There was the mom of the seven year old who rattled off a list of all the things she heard in the music with excited, sparkling eyes, her daughter nodding her head all the while, albeit with sleepy eyes.  There was the man in his 80's that shared with me all the musical groups he plays with in the area just for fun.  He's the type of fellow I imagine will die with his instrument in his hands and a smile on his face.There was the man who blew me away with the most poetic description of how the performance affected him.  Sharing much the same thing in an e-mail he sent the next day, he wrote,
"...the piano had the last word creating without fault a musical picture frame for each piece which intensified the message with silence of pure gold.  That frame was a window, a door through which my heart and breath were invited to become one with the story, no longer observer, but participant, no longer of performers but companions.   When I got home I could not separate from the story: without taking off my coat I stoked the fire and went back to the snow to try my arm on for size, the hills, the same breathing, the heartbeat of an awakened person accompanying me from the 1800's."  
He concluded by sharing how he found himself connecting some of his own personal struggles with those of the character in the song cycle.  By the end of his e-mail I was in tears.  Everyone I spoke to that day seemed to be glad that they had been part of the experience with us and it meant the world to me to hear their words and reactions.  It gave the performance purpose that extended way past mere entertainment or cultural experience.  And although it was intended as a musical offering for them, they ended up bringing me an even more valuable offering...

Themselves, in all their bluegrass-loving glory.  

Thank you, Floyd!  I hope to make some music with y'all soon.


8 comments:

  1. It sounds like your (and my, I concede) stereotype of them as bluegrass-loving is more our limitation than theirs. Your friend is probably not the only one who brought a different background with him to Floyd.

    I oppose the classical music-as-entertainment concept – and embrace this one. If this hadn't been largely true for centuries, it wouldn't have continued.

    The email you received is very beautiful and moving. Depth and wisdom come in all kinds of packages. Again, it is our limitation to think they only come in one. For musical and other reasons, I'm happy for you that you had this experience.

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    1. Yes, anonymous, I definitely learned that the stereotype was all in my head. I suppose that's true with most stereotypes. I had a feeling all along that I would enjoy the whole experience. If there's one thing I'm slowly learning in my life journey it's that nobody can fully understand or predict anything. I'm trying to walk into situations and relationships without any expectations, ready to take whatever comes my way and this approach seems to work really well in the musical world too.

      Thank you for taking the time to read and to comment!

      All the best,
      Erica

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  2. Erica, I loved this post. I've been thinking lots about the subject of art for those untrained in the arts. Your posts on this subject have been thoughtful and interesting.

    You may have already read this commencement address, but I found it so beautifully stated. I especially loved this quote: "Marcus Aurelius believed that the course of wisdom consisted of learning to trade easy pleasures for more complex and challenging ones. I worry about a culture that bit by bit trades off the challenging pleasures of art for the easy comforts of entertainment. And that is exactly what is happening—not just in the media, but in our schools and civic life.

    Entertainment promises us a predictable pleasure—humor, thrills, emotional titillation, or even the odd delight of being vicariously terrified. It exploits and manipulates who we are rather than challenges us with a vision of who we might become. A child who spends a month mastering Halo or NBA Live on Xbox has not been awakened and transformed the way that child would be spending the time rehearsing a play or learning to draw."

    "Gioia to Graduates: ‘Trade Easy Pleasures for More Complex and Challenging Ones,’” Stanford Report, June 17, 2007,http://news.stanford.edu/news/2007/june20/gradtrans-062007.html.

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    1. Kerri,
      It's great to meet you here! I'm glad you've discovered this blog and have taken the time to comment.

      I hadn't run across this commencement address so I'm so very glad that you have shared it with us here. Incredible points that I haven't really heard made before. As a parent of a young girl we struggle constantly these days with figuring out how to balance technology with other activities in our household - it's so difficult! This talk is giving me some food for thought so thank you!

      All the best,
      Erica

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  3. This is beautiful. I got chills reading this. Thank you.

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    1. Thank you, Geneviève! I'll glad you liked it.

      Erica

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  4. Brava Erica,
    Reading Greg Sandow's column and your blog of the events surrounding the Winterreise performance reminded me of my early pre-operatic career experiences singing in homeless shelters and Salvation Army soup kitchens. Seeing people get fed in their hearts and souls as I sang classical lieder and sacred music helped me to understand that the privilege of being able to make music carries with it the obligation to share it with all people wherever one can. An enthusiastic audience has no specific ethnicity, nationality, socio-economic status or age barrier when we just show up offering the best of our talent and classical music where they are...... I still do it and I hope you have the opportunity to do more concerts and reach more people in your region.

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    1. Many thanks for reading! I love how you use the word "privilege." I too feel that sharing music with others in a way that touches people on many different levels is a privilege and I believe I get just as much, if not more, out of the performances as the audience does, especially when there is a connection between myself and them. It's such a powerful experience.

      Thank you for sharing your own experience. May we all find more and more opportunities to reach people, even in the most unexpected places.

      All the best,
      Erica

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